I'm gonna go against the grain and say the most compelling one for me was 'Everyone in My Family Has Killed Someone' by Benjamin Stevenson. The narrator, Ernest, is an author of crime-writing guides who gets roped into his own family's deadly reunion. His constant meta-commentary on the rules of the genre, pointing out when he's following or breaking them, is hilarious and weirdly immersive. It feels like you're solving the case alongside a very pedantic, very stressed friend who knows too much for his own good. The mystery is tight, but the voice is what sells it.
2026-08-14 20:19:41
9
Olivia
Ending Guesser
Pharmacist
Spotted a ton of buzz for 'The Last Devil to Die' by Richard Osman, but honestly? I devoured 'Murder in the Family' by Cara Hunter instead. It’s structured like a true-crime documentary transcript with online comments and production notes, and the amateur ‘detective’ is basically the viewer—or the reader, I guess—piecing it together from all this deliberately messy evidence. The format totally makes you feel like you’re the one solving it, which is a different kind of compelling. It’s less about a single charismatic sleuth and more about the sheer, addictive pull of the puzzle itself.
For a more traditional but fantastic amateur, I’d push 'The Marlow Murder Club' by Robert Thorogood. The protagonist is a crossword-setter, and her particular brand of logic and lateral thinking just clicks. She’s not some genius; she’s just brilliantly observant in a very specific, grounded way that feels earned. The supporting cast of unlikely allies is warm without being saccharine. It nails that ‘cozy but clever’ vibe better than anything else I’ve picked up lately, and the sequel holds up, which is rare.
2026-08-14 21:02:13
5
ดูคำตอบทั้งหมด
สแกนรหัสเพื่อดาวน์โหลดแอป
หนังสือที่เกี่ยวข้อง
Who's the Real Detective Here?
Perfect Timing
10
3.3K
I quit and dipped. City threw a parade.
Only Jenna Blake—my oh-so-gifted junior who claimed she could "see through killers' eyes"—lost it.
At her celebration banquet, she went full drama queen:
"I owe everything to Kate Mercer. Please, bring her back!"
I laughed. Cold. Not happening.
Last time around, I was the hotshot detective. But every clue I found? She dropped it first like she read my mind.
People started saying I was washed.
So I went all in—three months, no sleep, cracked a massive trafficking ring. Led the raid myself.
She beat me there. Again. Place was cleaned out.
Boom. She's the city's golden girl.
I'm the clown with no game.
Pressure got ugly. My head snapped. I died chasing the last scumbag.
Then—bam. I woke up. Same day. Raid morning. Round two.
"He's gone, Elizabeth," her captain Charles Johnston tells her. Elizabeth blinks back her tears. Her face full of shock and disbelief. Her frozen stare interrupted by his words. "He left his badge." "There's no way," she thought. He wouldn't leave her like this. No warning, no phone call, no letter. She was more to him than that or at least so she thought. That conversation has plagued her for 3 years. For 3 long years, Detective Elizabeth Ryan tried to shut out him, to finally be able to move on. But just as she does, he abruptly returns seeking more than what either of them anticipated. Will Elizabeth be able to forgive him, or will the past be too much to swallow? What happens when life throws her too many twists to handle?
With the sudden death of his sister, detective Dawson Wills was going to give everything to find her killer, he wanted to do it alone. To find and make the killer pay for causing him so much pain, but unfortunately, life doesn’t always give you what you desire. Dawson was giving a partner, one of the things he disliked as a detective.
Jane Johnson was Dawson's dream woman, how would Dawson maneuver his way from falling in love with this beautiful woman who was now his partner and finding his sister’s killer?
He dislikes having partners, but detective Jane was too beautiful to be disliked….
I'm a half-baked forensic examiner whose only redeeming quality is the ability to understand animals.
The crime scene is inside a lavish villa. The lady of the house lies dead on the floor with a blunt-force injury to the back of her head so deep that her bone is visible. The safe has been pried open, and a million dollars in cash has vanished without a trace. Clear shoe prints mark the backyard wall, evidence that someone has climbed over it.
"This one's clear as day. This is a textbook robbery-homicide. The suspect is likely a young male, around six feet tall, has a prior theft record, and knows how to cover his tracks. Check the surveillance footage in the area and look into places where he might've moved the stolen cash."
The director of the forensic science center, Egbert Woodward, has been in the profession for three decades and is a widely respected authority. The officers at the scene nod in unison and begin taking notes.
I'm the only one who stares at the 30 flies circling the ceiling for a full 3 minutes before taking a step forward and piping up, "Dr. Woodward, this isn't a robbery-homicide. It's a crime of passion. The murderer is the victim's husband!"
Meet Esmerelda Sleuth. Sleuth is her name and investigating is her game. (Paranormal Investigating, that is.)
Esmerelda makes a good living as an investigator in a rather progressive firm. She lives a stable and sensible life until she meets Lance; an old money "hottie" who works for a real estate firm next to her building. After accepting an invitation for a weekend getaway party, she quickly discovers that Lance has a secret. He is wealthy. That part is true. And, yes, he's procured a job as a realtor in the building next door. His secret is that he belongs to an underground society of humans who didn't abandon their connection to magic centuries ago when religion declared it evil and he has traveled through time specifically to find her and bring her back to his time to marry him. If that isn't enough of a far fetched tale to absorb, he informs her that she was born in his time to a family belonging to that same secret society and was promised in marriage to him as an infant. When enemies who didn't want to see the union of families take place made attempts on her life, her parents sent her into the future and erased her memories of them as a precaution.
Possessing virtually no belief in magic, ghosts, psychics, time travel, etc., it takes some doing on Lance's part to convince her to believe his story and go back with him. When she does, the lies, deceit and attempts on her life start all over again. Will she escape emotionally and physically unscathed?
"The Other Side Of the Mirror" is a steamy-paranormal-romance- mystery-thriller and book one of the Esmerelda Sleuth series.
A series of past murders catch the attention of the police and the media.
All the people who were killed were women, all of which had some sort of relationship with a well known and successful businessman named Asriel Parker.
For some reason, the murders all point to him as the number one suspect and connection between them. The reasonable thing to do is to put him behind bars but there is one problem.
"Everyone is innocent in the eyes of the law until proven guilty."
There isn't a shred of evidence that actually pinpoints Asriel Parker as the culprit.
With that statement in mind, Selena March, a good police officer and detective is sent undercover as his live-in Personal Assistant to dig up whatever information she can use to put the murderer behind bars.
Selena has no idea what she signs up for but she knows for a fact that falling in love is not part of the whole 'undercover' mission
I see a lot of love for modern titles, but going back a bit, 'The No. 1 Ladies' Detective Agency' by Alexander McCall Smith is a perennial favorite that has spent time on bestseller lists. Precious Ramotswe is a professional in that she opens an agency, but she has no formal training. Her tools are 'common sense and an understanding of human nature.' She's the definition of an amateur who turns her innate skills into a profession. The series' charm and heart are why it keeps getting discovered by new readers and appearing on lists.
For a mystery that's all about art forgery and family secrets, 'The Last Painting of Sara de Vos' by Dominic Smith isn't a traditional murder mystery, but the protagonist, a art historian, becomes an amateur investigator into the provenance of a haunting painting. The sleuthing spans centuries, connecting a 17th-century Dutch painter, a 1950s lawyer, and a modern-day academic. The 'mystery' is the painting's history and the forgeries surrounding it. It's a slow, beautiful, and deeply researched investigation into art and legacy.
The 'Vera Wong's Unsolicited Advice for Murderers' by Jesse Q. Sutanto is pure joy. A lonely tea-shop owner finds a dead body and decides she can do a better job than the police. She ‘detains’ the suspects by forcing them to drink her tea. It’s hilarious, heartwarming, and the mystery is actually solid. Vera is an unforgettable, meddling sleuth.
Man, the amateur detective subgenre just hits differently for me. You get these regular folks stumbling into chaos, and it makes the puzzle feel more accessible, more terrifying. I'd argue the absolute giants here are Agatha Christie's Miss Marple books and 'The Sweetness at the Bottom of the Pie'. Miss Marple is the blueprint—an old lady in a village who sees everything through a lens of human vice. Alan Bradley's Flavia de Luce is her brilliant, chemical-obsessed heir, an eleven-year-old terrorizing 1950s England. They sell because they're comfort food with a poison chaser.
A modern titan everyone mentions is 'The Thursday Murder Club' by Richard Osman. Retirees in a posh village solving cold cases? It shouldn't work as well as it does, but the sales numbers are insane. It blends gentle humor with genuine stakes. For something grittier, I tore through 'Gone Girl'—the 'amateur detective' there is a husband trying to prove he didn't kill his wife, but it's a twisted, media-savvy nightmare of an investigation. That book defined a decade of thrillers.