Is 'How It Feels To Be Colored Me' A Novel Or Essay?

Note: This is a super erotic +18 pages of her diary. Read at your own risk. When the thunder rolls and the lights flicker, Lexi writes, and nothing is off limits. Trapped between the walls of a religious household and the firestorm inside her own body, Lexi is a quiet 21-year-old woman with a loud, unfiltered diary. Orphaned at twelve and raised by her aunt and pastor uncle in a small Georgia town, Lexi lives in the shadows — but her fantasies, frustrations, and forbidden desires fill every page of her private journal. Naked Pages: The Diary of Lexi is a confessional coming-of-age erotica told from the perspective of a young woman exploring her sexuality in secret. From heartbreak and betrayal to late-night cravings, self-discovery, and unexpected temptation, Lexi’s journey is messy, raw, and deeply honest. She’s not searching for love — she’s chasing something real: connection, pleasure, and control over her own story. As she transitions into a new life in Atlanta, surrounded by new people and new dangers, Lexi’s entries grow even bolder. And every chapter she writes pulls us deeper into her unfiltered world — full of heat, heartbreak, and hard truths. This is more than just her diary. It’s her freedom.

Your color is still haunted by the past that it keeps on drowning you down until you can no longer appreciate the life that was given to you. Despite the enduring pain that lingered in your body I'd love to see your color shining through.

In the 1980's in a small, not too well known town, a young Black girl named Ariel Smith in a mostly white school juggles her studies to get into college, and deal with a murderer committing multiple hate crimes, so you'd think she wouldn't have time for romance until she saved a young white boy named Ernest Rivers from drowning, literally. "Dangerous? He looks so peaceful here. Angelic almost. How could someone so beautiful be dangerous?" Satan was once an angel. Warning: depictions of sexual assault, racism and murder throughout the story. If any of these topics are triggering for you, I do not recommend reading. Thank you.

“Let him go right now.” Wait a second, did he just call me him? And then it hit again! Over here, I am a HE, not a SHE. Idris, not Irish. Before you roll your eyes and use the F words, this is my story, not yours. They said when life throws you lemons, you make lemonade, but I made a whole juice. Being in this college with not just a different name, but a different sex, is chaos on its own, one I’m fully embarked on. “Desperate times require drastic decisions.” I took those words way too seriously. How I plan to survive this journey is totally up to me. Will I be caught? That’s up to you to find out.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Our family is planning a ski trip at a luxury resort. However, my mother gives my snow-view room to my adoptive sister and makes me, her biological daughter, stay in the storage room. I'm about to protest when my father and brother accuse me of being selfish. "We've always given Madie the best of everything; she won't be able to sleep in any other room." "Madie is our family—she's the one who's lived with us this whole time. We're a family, so we have to stay together." I'm the one who shares their blood, yet they consider me an outsider. If that's the case, they can go on vacation without me. I board a cruise and travel the world for a month without ever going home. That's when they panic.