Trapped In My Husband’s Golden Cage
Moving fast in here was how you walked into a wall or off an edge.
Michael's voice came from my right, barely above a breath. "Give it thirty seconds. Let your ears adjust."
I waited.
Thirty seconds of standing still in absolute dark with nothing to look at and nothing to do, and Michael Van Leer two feet away from me, breathing quietly.
Then I started to hear it. The room, the specific acoustics of the space, where the echo came back fast, and where it took longer. The position of other pairs moving in the dark. A faint mechanical hum from somewhere ahead and to the left that suggested a ventilation system, which suggested a wall, which suggested a boundary.