Murakami's world can be overwhelming at the start. If I had to pick a door in, 'Norwegian Wood' is probably it, despite its reputation as an outlier. It’s grounded, achingly sad, and doesn't have the talking cats or hidden moons—just a straight shot of his melancholic mood and spare, precise prose. That book taught me how to read his emotional weather before tackling the stranger stuff.
For the full weirdness, 'Kafka on the Shore' works better than 'Wind-Up Bird' for a beginner, I think. It’s fantastical but the twin narratives (runaway boy and simple old man) give you clear threads to hold onto. The metaphysical questions are all there, but it’s packaged in a slightly more propulsive, almost adventure-like structure. After those two, you’ll know if the signature blend of jazz, casual cooking, and lonely men wandering into alternate realities is your thing or not.
Honestly, I'd skip '1Q84' until later. It’s a commitment, and the pacing can feel glacial if you’re not already invested in his rhythms.