Ninth House Leigh Bardugo Novels & Stories

George Milton took me eight times in a single night. By the ninth, his hand gripped my waist, his voice rough with satisfaction as he rasped, "Baby, I want you to use that innocent-but-sexy look you've got to go seduce Jordan." My entire body went rigid. Then I found out—George's first love, Sarah Byrnes, had been ditched by Jordan Baker, leaving her heartbroken. He wanted me to take revenge for her, to make Jordan taste the agony of being abandoned by the one he loved. After my family had gone bankrupt, I was delivered straight to George's bed. Naively, I believed he treated me differently. After all, I had been the woman at his side the longest. But he only sneered. "The reason I keep you is because you look like Sarah. She's hurting. Now it's your turn to do your part. With reddened eyes, I agreed, swallowing every foolish hope I should never have harbored. Soon, I captured the aloof and untouchable Jordan's heart. And for the first time, George lost control. He wept as he begged, "Catelyn, I regret it. Come back to me, please?"

The voice is always calling out to me. Everywhere I go its there, lurking in the shadows, observing me.I live in a province just near the city. My house is at the entrance of the forest, away from the neighbors. At the age of fourteen I was orphaned, I went to a convent and was cared for by nuns until I was eighteen years old.Since I was of legal age I left the convent and found myself in this place.When I first saw the old house at the entrance of the forest, I knew it would be right for me.On my first day in that house, something very immediate happened to me. There is a voice that repeatedly calls my name.When I leave the convent and stay in this old house, I do not think I will see strange creatures and socialize with them.

The Rowan estate has stood for centuries, its walls bearing witness to generations of triumph, tragedy, and a quiet, inescapable weight. Known for influence and misfortune, the Rowans guard a secret: the house is a memory vessel, absorbing the emotions and events of its inhabitants. Only one child per generation—“the one who carries it”—feels its imprint. For Jace Rowan, that child is him. Haunted by flashes of his brother Elias’s mysterious death in the sealed west wing, Jace lives with hallucination-like memories, déjà vu, and a physical sensitivity to the house’s presence. When Ava arrives at the estate, the house takes notice. Her father’s disappearance connects her unknowingly to the Rowans, and her grief fuels an emotional resonance the house cannot ignore. Objects from her past—her father’s watch, sketches of the west wing, and a brass key—materialize mysteriously before her, drawing Ava deeper into the estate’s labyrinth of memory. Jace knows the danger: the west wing reacts to emotion, and Ava’s connection could awaken truths meant to remain buried. As tension mounts, Ava and Jace confront both the house’s power and their own growing fears. The west wing does not seek to harm but to claim understanding—feeding on memory, fear, and revelation. In the shadows, a presence lingers, one that Jace fears is connected to Ava’s father. Bound by fear, curiosity, and an unspoken attraction, Ava and Jace must navigate a house that remembers, reacts, and judges, uncovering secrets about Elias’s death, Ava’s father, and the legacy of the Rowan family itself. In a world where emotion is power and the past is never truly gone, the house holds its breath—and waits to see who will survive its memory.

To complete my mission of winning over the tragic second male lead, Charles Sawyer, I exchange all my system points to help him rise and become the richest man in Broxia. All that is left is for him to propose to me, and the mission will be complete. When the innocent-looking female lead, Natalia Leigh, causes the company to lose tens of millions of dollars due to a mistake, I simply fire her according to company rules. Unexpectedly, this causes Charles to lose his temper at me in public. Right in front of the entire company, he rebukes me, "Melissa McBride! Stop using work as an excuse to vent at Natalia just because you're jealous! I've seen through your little scheme to win me over!" To punish me for supposedly bullying Natalia, he bids aggressively and wins a priceless piece of jewelry at an astronomical price a few days later at a charity auction. Not only does he personally present it to Natalia, but he even drops to one knee and proposes to her in front of all the guests. When he looks at me, he says mockingly, "Melissa, as long as I refuse, your mission is destined to fail." He is convinced that he has absolute control over me. But he does not know that once the mission fails, my system activates a return function. When that happens, every advantage I once gave him will be returned to me with a single command.

In my ninth year of being with Tyler Freeman, he flaunts his relationships with other women while I'm only allowed to come and go from his bedroom. He doesn't acknowledge me as his girlfriend, yet he allows his friends to address me as such. I have a name but not an identity. His friends are bored during a private party and want me to perform a strip dance on stage to liven things up. I expect Tyler to at least turn them down on my behalf, but all he does is sip his wine and say, "Go on. You're the owner of this place, aren't you? Aren't clubs supposed to satisfy their patrons' needs? Don't let my friends down!" I look at him emotionlessly. I don't cry or throw a fuss. Instead, I splash a glass of liquor in his face. The following day, I trash the club. Three months later, Tyler finally thinks of calling me. "Where are you? Aren't you gonna get the hell back here? Do you really expect me to beg you to come back? Do you think you're worthy of that?" I pull my newlywed husband to the camera. "Sorry, Mr. Freeman. I'm getting married. You don't need to come, but do get me a wedding gift." Unexpectedly, he threatens to show my husband intimate videos of me when he sees me in a wedding gown.

Mia's life changes overnight after being saved by a stranger from the house slaughter on the night of her grandfather's memorial. Everything seemed to be back to normal after meeting Miles Bryon the son of Melbourne's richest business mogul. But things turned around real quick, who planned the house slaughter and why?

Warning: Mature content, psychological Sully, a young lady of House Star, is kidnapped on her wedding day by the head of House Silverclaw. The head decides to give her to one of his daugthers as a slave, but his eldest son intervens and wants her for himself. Thus begins a forced married life between Sully Star and Damien Silverclaw. Sully wants to end House Silverclaw. Yet, she finds herself falling for her husband, the one she should hate. With his intimidating yet alluring presence, he seems to pull her towards him. Can she succeed in her plan, or will she succumb deeper and fall for her enemy?

On the day Tristan Spallone, the head of a mafia family, and I mark our fifth wedding anniversary, the manager of the Spallone family vault calls. Something that was stored away for a long time has finally come due, and Tristan is to retrieve it. He's so busy that he barely has a moment to breathe, so I go in his place. What I bring back is an old roll of film. The manager warned me that if it wasn’t developed soon, its age might cause it to be ruined beyond recovery. But when I have them developed, frame after frame is filled with Winnie Leigh, his first love. Her smile looks so sweet in those pictures that they nearly suffocate me. What about me, one may ask? I never once appeared on his albums. The office door slams open. Tristan bursts in, already out of breath. "Anna, is your life really so empty that you have to dig through mine?" I turn toward him, the man who's usually so composed. I neither question him nor break down. Instead, I speak slowly. "We're getting a divorce." Tristan frowns and thrusts the stack of photos into the shredder. He then looks back at me. "They're gone. Do you still want a divorce?" A bitter smile tugs at my lips. "Yes."

At a gathering, I discover that the guy my best friend, Rachel Jost, secretly has a crush on has slipped something into her drink. When he brings the glass over to her, I deliberately knock it over, spilling the spiked wine and saving her life. He storms out in anger. The very next day, he announces his engagement to someone else. Rachel comes to me in a rage, convinced that I sabotaged her out of jealousy. "Stella Leigh, if you hadn't interfered, I would've already slept with him! The one he wants to marry would've been me! You just couldn't stand seeing me happy! You ruined my shot at love, so you'll pay for it with your life!" She pushes me off a high building. I fall to my death, my body reduced to a pulp that is beyond recognition. When I open my eyes again, I am back on the day of that gathering. Rachel is sitting next to me, stealing adoring glances at the man across from her. The next moment, she turns to glare at me and warns me not to meddle with vicious eyes. Seems like she is reborn, too. But what she doesn't know is that the man she secretly loves has always despised her for being obsessed with him. What he added to that glass of wine isn't some aphrodisiac—it is something that can kill her.

"Eri is here , she will never leave ....she will always have you" Sein is a boy who was adopted in the house of a rich man. He was never an outcast to his new family but outside the house he was that quite kid who confuses every single things in his life. But he had friends as well.