Switching Perspectives In Writing Novels & Stories

Hey guys, I hope that so far you've enjoyed the first twenty one chapters. So far, I've been writing this book from the narrator's POV and I've not been writing often from Sharlynn's POV or Darren's. I've done that probably once and it wasn't for very long but now I'd like you inform you all that that would be happening soon ( for those of you who prefer that narrative angle:-) ) So, from here on, I'm going to be writing more often from Sharlynn's POV and that of the other main characters because I want to fully be able to show you exactly how they all reason and what happens in their head. So don't get confused^_^

SEASON 2 Hello everyone! First of all, if you have made it this far, an endless thank you to you. I appreciate your presence taking the time reading my book. Secondly, I am sorry. I am sorry because I may not deliver the cleanest chain of thought or have a strong plot in a story. I am a new writer and still currently learning as of today. Lastly, I have decided and think heavily that I will put the P.O.V of the second book in the Third Person. I find it more transparent and direct and showcase all the feelings, emotions, and thoughts that a particular character may have.

It started as documentation and has become something else. I started writing it in the third person, the way I was trained — the subject, the operative, the source. Professional distance. But at some point, without deciding to, I switched to first person. I. Me. My choices. My failures. The shift was unconscious at first, and then it wasn't. Then it was deliberate. I wrote about the interview with the analyst and how I felt when she told me about Moreau's daughter. I wrote about the night in Singapore when I didn't know if Celeste would survive. I wrote about the moment in the kitchen when I told her the truth about who I was, and the moment after, when she didn't leave. I haven't told Celes

Distance between deciding and starting is where things go to not happen. The kitchen table. Two notebooks. His and hers. He has his compressed formal handwriting. She has the handwriting she developed in the farmhouse years — quicker than his, less formal, the handwriting of someone who learned to write for herself rather than for an audience. They decide on the structure. Alternating sections. His voice, then hers. Sometimes the same event from both sides. Sometimes different events that happened simultaneously in different rooms. Sometimes the same moment from two angles — the way the Edinburgh castle looks different depending on which side of the city you're standing on.

Cold and functional and completely professional. Day three: The same. Day four: I slowed down. The handwriting changed halfway down the page. Slightly looser. The sentences stopped sounding like a report. I had written about the bridge game and the way he positioned himself two panels back to give me space, and I had written it not as a tactical observation but as something else. Something I had not been managing when I wrote it. I kept reading.

His supplements were far more than they used to be. In fact, Jonathan was in much better health than he had been in my previous life. My only goal from the start was to make Jonathan distrust Conrad. The first move and second move followed the same pattern. The third move was to create various illusions, making Conrad think the Harmons were supporting Horace to slowly swallow up the Reeses. Once he took action, coupled with Jonathan's long-standing dissatisfaction with him, abandoning him would be inevitable. Of course, I had to thank modern medicine for making this plan possible. Without it, I honestly wouldn't have known how to carry this out.

Hi guys, Just a quick one. I just want to tell you guys how grateful I am for your support in reading this masterpiece of my imagination. Well... It was just a cheeky imagination and here we are at the end of the day. I'm writing to let you guys know that I might unfortunately have to change my narrative techniques for the next few chapters. Since I'm finding it very difficult to express certain things from my point of view, I guess the first-person point of view would be better for these few chapters. Kindly bear with me and stay longer on this journey with me. Thank you so much, guys. I love you. _Rave Queen.

**Write with Intention:** Every scene should serve a purpose. 44. **Experiment with Point of View:** Explore different perspectives to find the most effective one for your story. 45. **Balance Dialogue and Narrative:** Find the right mix for your storytelling style. 46. **Embrace the Editing Process:** The real magic often happens during revisions. 47. **Stay Curious:** Cultivate a curious mindset to fuel creativity. 48. **Create Strong Beginnings and Endings:** Make your first and last impressions memorable. 49. **Read Your Genre Extensively:** Know the market and what readers expect.

•───⋅☾ ☽⋅───• POINT OF VIEWS - POVs. This book is written in dual POV, but the perspectives will be included as they fit the storyline. I won't add the MMC’s or FMC’s POV just for the sake of it, especially if it doesn’t suit the scene or the mystery of the plot. I mention this because I know some readers might want more of the MMC’s POV, but every choice is intentional for the story's development. •───⋅☾ ☽⋅───• UPDATES SCHEDULE