I Reject You, Mate
I try to tell my story, but it would seem the one with the pen doesn't like me much.
"Come," Sinclair orders, turning away from me. "Sit."
And I walk to the bed, settling at the edge. I don't know what to do with my hands or feet, or my bare body, so I hug myself and watch as he pulls off his shirt.
I swallow, fingers rising to brush my wet hair out of my eyes. "They're beautiful," I start with an unsure voice. "Your tattoos. Why lines and not words?"
"Words can be misunderstood or misinterpreted," he says, his voice low and intense as he unbuckles his belt. "Lines are universal. They convey power and meaning without the ambiguity of language."
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