White Wolf Publishing

Run, little faerie. Run. I’ve got all sorts of plans for when I finally catch you. Brock Hume is a lone wolf on the hunt, and right now, he’s after the most irresistible prey he’s ever encountered. He can’t help himself. Her scent, sweet like the heather blossoms from his homeland, calls to him. And those curves... he can’t wait to get his hands on them. And she’s running from him—a werewolf. Heather Knight might just be the most clueless faerie ever, but then again, she was raised as a human, so that probably shouldn’t be a surprise. She can't even tell when a man is something more than he seems. And she should’ve known—no mortal could be that hot. To protect her heart and her secret, she runs. But fate has other plans. Somehow, Brock and Heather are both pulled into the shadowy realm of the fae. To win this dangerous game and save the girl, Brock will have to uncover the truth about his mate. But the secrets she’s hiding might be the very thing that could tear them apart.

Carlos was only 16 years old when he went through a painstaking transformation, turning him into a wolf-beast(werewolf). Being an abandoned child at only 4 months old, he has no idea what he truly is. He was later found and adopted by the Greys, a wealthy family that raised and nurtured him as their own. He goes on to boarding school at age 15 on an island where he meets his first love, Evelyn Brown. Only problem was that this "school" harboured students from three different countries surrounding the island, and they all hated each other. Both these young high schoolers were unfortunately on different "teams" being from different countries. Will carlos ever be able to convey his feelings towards his enemy? What will he do when the wrong people find out about his werewolf self?

Rebecca Allen thought Lilac Grove was a great place to start over, away from her abusive ex-husband. But people are going missing. There’re too many hunters ready to shoot anything that moves around for everyone’s comfort. Now, the drop-dead gorgeous owner of The Wolf’s Den Bar, Robert Northgate, is missing. Rebecca was one of the last people to see him. It’s not even lunch. On the way home from work, Becky finds an injured wolf on the road. The wolf is lucky, she’s the new town vet. Robert Northgate’s day isn’t going any better. He’s under pressure to keep the money flowing for his pack. Times are hard. Though the annoying hunters are at least spending some money like it’s water but there are too many shoot first types around for Robert’s comfort. As the Shadow Mists Pack Alpha. It gets worse when he’s attacked rogue wolves in his territory. They leave him for dead on a rural road. On the same day, he meets his very human mate. How can he explain the existence of werewolves to Rebecca? It’s Robert’s job to protect his people. But his mate is a lowly human and prejudices run deep with the elders. Can he find love with his mate without losing his pack’s confidence? Can he stop the disappearances and find the missing people? Will he be able to stop the rogue wolves from taking his territory before some hunter shoots first and someone dies? Original Cover Design by Central Covers

She is a Pure omega and queen of her pack, until her husband dethroned her and locked her away. Two of his sons discover the truth and ask the alpha of the enemy pack for help. But it will only accept on one condition. She has to be his And she will never belong to anyone

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.

Noong unang beses na nakita ni Euphie ang lalaki, naisip niya: Love at first sight ba iyon? O isang nakatalagang soul mate? Pag-uwi niya, nakita niya ang isang lumang larawan ng isang matangkad at guwapong lalaki. Naglakbay siya pabalik sa panahon sa larawan, nakilala ang lalaking iyon, at natagpuan ang sagot sa tanong na iyon. Inisip niya ang lahat, ang kanyang kasintahan.