Writing Contest Free Entry Novels & Stories

You're asking the right question—this is how I got my first piece published, actually. The first place I'd recommend is a bit obvious but reliable: 'Reedsy' has a frequently updated contest page that filters for no-fee options. I check it maybe once a month. Their blog also often does roundups for specific genres, which saves a ton of scrolling time.

Beyond that, university writing department websites are a goldmine people forget. Even if you're not a student, many MFA programs list competitions that are open to the public, and they tend to be legitimate, often connected to literary journals. I've submitted to a few from the University of New Orleans' 'Press 53' page, for instance. The key is to treat the search like a part-time job; bookmark a few trusted hubs instead of googling 'free contest' every time, which just leads to sketchy sites wanting your data.

One more tip—follow the magazines you admire on Twitter or Mastodon. Editors often announce their own open submission periods or contest extensions there before it hits the main aggregators. I snagged a last-minute slot for the 'Bridport Prize' flash fiction category that way, though some of their contests do have fees so you have to read carefully.

It’s funny you should ask about contests; I’ve been poking around at them for a couple years now, mostly for fun. Honestly, the obvious place to start is just by looking at the big magazines that run regular competitions—'Clarkesworld', 'The Paris Review', sometimes 'Glimmer Train' though I think they’re on hiatus again? Those are the heavy hitters, and winning one of those can be a real career bump. But the submission fees add up, which always gives me pause. I’ve had better luck, emotionally at least, with smaller, themed contests run by indie presses or even literary festivals. They often have more specific prompts, which can actually kickstart a story you wouldn’t have written otherwise.

Lately, I’ve been leaning toward genre-specific outlets. If you’re into speculative fiction, the 'Writer’s Digest' annual competition is a classic, but also check out 'Lightspeed’s' flash fiction contests or 'Analog’s' yearly student one. The entry requirements are usually super clear on their websites—just make sure you follow their formatting to the letter. I got disqualified once for using the wrong font, which felt incredibly petty at the time, but hey, rules are rules. A good trick is to set up a simple spreadsheet: contest name, deadline, fee, word count, theme. It keeps the chaos somewhat manageable.

Don’t sleep on university literary journals either, even if you’re not a student; many have open contests with pretty decent judges. The prize money might be smaller, but the prestige in certain circles is real. The real struggle for me is timing—I’ll see a contest, get excited, then realize the deadline is next week and my draft is nowhere near ready. So my unsolicited advice is to find a few with deadlines a few months out and actually work backward from there. It’s less about the single big win and more about building a rhythm of finishing and submitting pieces, which in itself is a kind of victory.

This question hits close to home. I've sent my share of entries into the void. The biggest mistake I see is people treating a 'free to enter' contest as a low-stakes draft bin. My most successful entry started with me completely ignoring the first three prompts I found and digging deeper for one that genuinely sparked an idea, not just one that fit something I'd already written. It was for a micro-fiction contest about 'abandoned technology,' and I wrote a 500-word piece from the perspective of a forgotten smart fridge. The judges' feedback specifically mentioned the unique POV.

Beyond that, formatting is a silent killer. If the guidelines say 12pt Times New Roman, double-spaced, and you send in 11pt Calibri with 1.5 spacing, you're telling them you can't follow basic instructions before they even read a word. I create a checklist for each submission. Also, read the previous winners if they're posted. Not to copy, but to understand the flavor the judges seem to prefer—are they leaning literary, genre-bending, or starkly minimalist? It's intel.