To Hate and To Hold
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She carried it home wrapped in brown paper and sat with it on her bed for an hour, just looking at it.
The problem with gestures, she'd learned from watching her mother, was that they only worked if they were true. A gift given out of guilt looked like guilt. A gift given out of pity looked like pity, and pity was the one thing Julian Thorne would hand back to you without opening it.
This had to be given as what it actually was — not comfort, not an apology, not a bridge or an olive branch or any of the other things people called gestures when they wanted them to do too much work.