Go Missing And Forgotten Artinya

When James Chapman and I first got together, I was a regular student while he was one of the most popular guys in school. Five years down the road, I'm still a regular woman. James' attitude toward me has changed drastically, though. He frequently complains about my appearance. I know it's because his true love is back in the country. He misses our fifth anniversary because of her. His true love makes fun of me for being ugly to his face, so he orders me to get cosmetic surgery at her newly opened clinic. He wants me to use my fanbase to make her business boom. "You're so ugly that you'd be the perfect person to prove Barbara's skills… if she can actually make you look better, that is. We're all friends, aren't we? What's wrong with lending her a hand? Stop being so petty!" Barbara Simpson kills me—I die on the operating table in her inhumane clinic. James thinks I go missing because I'm just throwing a tantrum, but he realizes he's wrong when he finds my mangled body in the basement. The diamond ring he put on my finger is still there, too.

Born into a family of crime and scandals, Kendra Knight was the stunning strong-willed daughter of Johnathan Knight who was arranged to marry Elias Richardson, the eldest son of Tyrell Richardson. The Richardsons and the Knights, were two of London’s most powerful and wealthiest of families had been at war with each other for over a decade. It was only up until recently they both decided that the only way to end this dispute and secure their financial futures was by getting both of their eldest children married and putting aside their differences. Elias was the kind of guy who didn’t take life too seriously and lived by his own rules, whilst Kendra was the complete opposite. She liked to work hard and reach for the stars. There was only one thing she wanted and that was to become the heir to her father’s multi billionaire company, and she was going to do everything in her power to make sure she got that position, even if it meant agreeing to a fake marriage. A marriage that came with one rather strange condition. Every night they must come home to each other and share the same bed, no matter what happened or where they were. For how long would they both be able to resist and not give in to their sinful temptations? Would they find the missing piece of their lives in each other and fall in love, or will they free themselves from the other the moment their marriage contract ends and go their own separate ways?

Sebuah kisah tentang seorang lelaki yang ingin menyelamatkan rumah tangganya dari kehancuran. Imej jelek yang melekat di dirinya membuatnya tidak dianggap.Sumando, kata yang berasal dari bahasa Minang ini memiliki arti sebagai menantu laki-laki, tapi ada tambahan Lapiak Buruak, yang artinya tikar yang sudah jelek sekali. Makna dari Sumando Lapiak Buruak adalah suami yang lebih suka menghabiskan waktu di rumah, berleha-leha dengan anak bini. Lelaki yang malas bekerja mencari nafkah demi menghidupi keluarganya.Tersebutlah Syamil Wafiq, nama lelaki itu. Keberadaannya di rumah sang istri tidak begitu dianggap. Dia cenderung tertutup, dan tidak bisa bergaul dengan orang-orang.Hal itu membuat Shanum Diya-istrinya-merasa bak makan buah simalakama. Suaminya menjadi bahan gunjingan dan lama kelamaan, rumah tangganya berada di ujung tanduk. Bagaimanakah kisah ini bergulir? Akankah Syamil bisa menyelamatkan keluarganya?Sumber gambar:Designed by Freepik

In the seventh year of marrying Don Sebastian Quinn, I finally stopped loving him. After finishing the family business in the afternoon, I found an excuse to go out for coffee; He wanted to take me to attend the family core meeting, but I politely declined by saying I had to fly to Paris to watch a show; When he finally refused his social engagement and tried to get intimate with me, I lied about feeling unwell and slept in a separate room. Even when his lover was wearing my silk nightgown and commanding the housekeepers in the living room, I calmly complimented her good figure. My indifference finally hurt this man. He forcefully grabbed my chin in the middle of the night, his eyes red. "Why aren't you mad seeing another woman sleeping in my bed? Nicola Scott, I'm your husband. Don't you care at all?" I looked at his out-of-control state and only smiled faintly, thinking, 'Sebastian, you've probably forgotten that I loved you the most during the years you punished me by making me kneel and reflect on my actions.'

Having being abused and trampled on by her mother, and a missing father. Alicia decides to find happiness out of home, but She became devoid of feelings and fear of men after being used and dumped. She decides to revenge on all men but her first attempt makes her heart beat, is she going to succeed or fail?

"Aku masih menjaga kamu dalam pikiranku AUSTRALIA." Haidar bangun dari tempat tidur. Mengusap wajah dan memandangi dinding kamarnya. Di sana ada brosur pendaftaran magister salah satu universitas di Australia. Sekolah yang menjadi impiannya saat ini. Namun semua itu tidaklah mudah untuk di wujudkan, bertahun-tahun ia dan ibunya berpindah-pindah rumah demi menutupi jati diri mereka. Tinggal di rumah yang reot serta makan dari hasil belas kasihan orang. Semua pekerjaan dilakukan ibunya agar dia bisa sekolah seperti anak-anak Aceh pada umumnya. "Kau anak seorang pejuang. Kakekmu juga seorang pejuang. Jangan ada air mata untuk setiap masalah yang kau hadapi." Kalimat itu yang diulang-ulang ibunya setiap kali Haidar menangis karena ejekan teman sekolah. Terpaan ibunya tiap hari membuat keteguhan hati Haidar menjadi sekuat batu. Sama seperti namanya, Ibnu Haidar. Nama ini dalam bahasa Arab artinya, si Anak Batu.

“Apa yang bisa kamu lakukan untuk saya, Nes?” Suara berat dengan bahasa formal yang kaku itu menyentak kesadaran Nesa. Sudah pasti lelaki itu persis dengan apa yang digambarkan kepalanya. Dari namanya saja seolah sudah terbaca; Barata—Tua, tambun, jelek dan genit. Jemari Nesa meremas ujung baju kurungnya yang menjuntai hingga atas lutut dengan kuat. Dia dikirim ke rumah besar ini sebagai tebusan utang menggunung bapaknya pada sang tuan tanah. Dia harus kabur dari sini. Dia sudah berbalik dan hendak mengeluarkan jurus seribu langkah, tetapi suara bariton lelaki itu berhasil menghentikannya. “Jika kamu nekat keluar dari rumah ini, maka pintu rumah ini akan selamanya tertutup untuk kamu. Dan kamu tahu apa artinya?” Nesa menelan salivanya susah payah. Apakah ini akhir kegadisannya? Terperangkap ke dalam cangkang si tuan tanah tua?

Bagaimana jika kamu menjadi pelakor untuk merebut suamimu sendiri? Pernikahan karena perjodohan tidak lagi menjadi suatu hal yang mengejutkan. Surat wasiat yang ditulis oleh Hanung membuat dua manusia yang tidak saling mencintai harus menjalin hubungan yang tidak mereka inginkan. Ares dan Rere, harus merasakan untuk terikat satu sama lain selamanya. Hingga pernikahan mereka sudah berjalan 7 tahun. Hanya saja Ares masih terikat dengan masa lalunya. Ares yang memperlihatkan hubungannya dengan wanita dari masa lalu secara terang-terangan di hadapan Rere. Sedangkan Rere, wanita itu hanya bisa memendam rasa sakit dan kekecewaan di hatinya. Hingga ada keinginan di hati Rere merebut Ares untuk menjadi miliknya. Ah entahlah, apakah itu akan berhasil dan membuat Ares menatap ke arahnya, mencintainya sepenuh hati atau itu semua tidak akan berhasil dan tidak ada artinya karena Ares tetap memilih masa lalunya?

Nalina (Lina) Romirez wasn't your typical nineteen year old. She had a secret that only those closest to her knew about. For her parents, they knew things would be different when their only daughter was born with a missing hand. By the time she was eight she had already mastered the art of operating a mechanical hand. It was so well built that no one could ever tell that it was fake, not even the wolves that went to her school. They were ferocious creatures that no one ever dared to mess with. Their pack (BitterFang Pack) lived deep in the woods and setting foot on their territory was an instant death sentence. Lina has never seen the higher members of the pack nor the Alpha. She didn't care much for them as her only goal was finishing her academic studies and moving out of the town. She wanted a life of her own and she was set on achieving just that. But as they say, destiny brings people together and crossing paths with the reigning Alpha wasn't something Lina had planned for. Not only was he the depiction of strength and dominance, but he also had striking features that couldn't go unnoticed. He knew she was his other half. But Lina wasn't planning on entering their territory again nor crossing paths with the Alpha for a second time. Well, that's what she thought.

For twins Ethel and Elise, the line between dream and nightmare was always thin—and on Paron Island, it has been completely erased. Their idyllic gap year, a sun-soaked mosaic of beach bonfires and reckless abandon, is shattered in an instant. A "project," as the panicked news reports cryptically call it, has gone horrifically wrong, releasing a pathogen that reanimates the dead with a singular, gruesome purpose: to feed. The sisters' bond, once defined by shared secrets and sibling rivalry, is now their only anchor in a world drowning in blood. Driven by a raw, primal instinct to protect each other, they join forces with a few other fortunate—or unfortunate—souls who survived the initial onslaught. Together, this makeshift family must navigate the ruins of their former paradise, where every shadow hides a potential threat and every human sound could be a lure. Ethel, the more cautious sister, finds a hidden strength in strategy, while Elise's impulsive nature becomes both a weapon and a liability. But their fight against the decaying hordes is only the surface of the terror. Whispers of a coordinated presence, of supplies that go missing too conveniently, and of strangers who seem to know too much, point to a more insidious truth: the island's collapse was not a random tragedy. They are being hunted by something that thinks, that plans, that wears a human face. As their hope for rescue dwindles, Ethel and Elise are forced to confront the ultimate horror—that in the midst of an apocalypse, the most monstrous creatures of all are still human.