Martha Hall Kelly's 'Lost Roses' digs into the lives of three women just before and during the First World War, focusing on Eliza Ferriday and her mother Caroline—wealthy New Yorkers who are philanthropists—and a young Russian aristocrat, Sofya Streshnayva. The heart of the story is Sofya’s perspective, as the novel explores the complete societal collapse she faces during the Russian Revolution. While 'Lilac Girls' concentrated on WWII and the Ravensbrück concentration camp, this prequel shifts to a more domestic, but no less brutal, conflict.
It gets pretty dark. We see Sofya lose everything: her family's estate, her status, any sense of safety. The narrative contrasts her desperation with Eliza's relatively stable, though worried, life in America, as Eliza tries to help Russian refugees. Honestly, I sometimes felt the American chapters dragged a bit, like I was just waiting to get back to the chaos in Russia. But that contrast is probably the point—showing how the war shattered one world while another watched from a distance, trying to understand.