No More Leftovers
A week after the attack, Savannah mornings smelled like salt, wood, antiseptic, and old leather.
Aria's studio sat under a wooden sign: Harbor & Hide Restoration. I worked with a bandage hidden under my sleeve until the tremor in my hands faded. The first time I put my palms on the cutting table, my heart steadied. Leather was not like people. It had grain, temper, and scars. You followed its texture, mended the right place, and stitched slowly. I liked that kind of control.