LOGINI didn't sleep. I spent the night on Marta's old sofa in the guest room I wasn't supposed to use anymore, staring at the ceiling, replaying Ruth's voice until it stopped sounding like words and started sounding like static. By morning, my phone had lit up so many times I finally turned the sound off, and when I turned the screen back on, I understood why.
*UNKNOWN WOMAN INTERRUPTS ASHBOURNE ANNIVERSARY.*
*MENTALLY DISTURBED WOMAN CLAIMS TO BE ROMAN ASHBOURNE'S WIFE.*
I clicked the second one before I could stop myself, and there it was, a photograph of Roman with his arm around Camille, both of them smiling for a camera that must have been taken minutes after security dragged me out. Her face. His hand at her waist. My name reduced to two words in the caption. *Unidentified woman.*
I threw the phone across the room. It hit the wall and landed on the carpet, screen still glowing, still showing her face where mine should have been.
My studio called forty minutes later. I almost didn't answer.
"Tessa, it's Mrs. Halloway." My biggest client, a woman who had trusted me with her grandmother's letters for three years running. Her voice was careful, the kind of careful people use right before they disappoint you. "I'm going to need to postpone the restoration. Maybe cancel it altogether."
"Is something wrong with the work?"
"No, no, the work is beautiful, it's just." She paused. "We're trying to avoid unnecessary publicity right now. I'm sure you understand."
I understood. I understood completely, and it made me sick.
My calendar had looked full that morning. By lunch, it looked abandoned.
Three more calls came, all some version of the same sentence, and when I checked my email I found the article had been forwarded to nearly every client on my list, sent from an address I didn't recognize, with no message at all. Just the headline. Just my humiliation, delivered directly to the people who paid my rent.
Someone wasn't just letting this happen to me. Someone was making sure it followed me everywhere.
I was still staring at that email when the bell over my studio door rang.
I looked up expecting another cancellation. Instead, Roman stood in my doorway, no bodyguards, no assistant, just him, in the same dark coat from the night before, like he hadn't slept either.
"Get out," I said.
"You shouldn't be alone right now." His voice was quiet, controlled, the voice he used in boardrooms.
"Yesterday you didn't know my name."
"Today doesn't change that."
I laughed, and it came out broken instead of sharp. "Then why are you here?"
He didn't answer that. His eyes dropped to my hand, the scraped palm I'd forgotten to bandage properly, and before I understood what was happening he had crossed the room and reached for it, gentle, automatic, the same way he used to check my hands after I'd spent too long working with old chemicals.
I jerked away.
He froze, his hand still hanging in the air between us, and for a moment neither of us moved. That single frozen second told me more than anything he'd said in the ballroom.
Then his eyes moved past me, to the desk, to the marriage certificate still lying where I'd left it the night before.
His face changed. Barely. A tightening around the eyes, a stillness that hadn't been there a second ago.
"Where did you get this?" he asked quietly.
Not what is this. Not what are you talking about. Where did you get it.
I stared at him, my pulse loud in my ears. "You recognize it."
"Tessa."
"You just asked me where I got it. Not what it is. You already know what it is."
He didn't deny it. That was the worst part. He just stood there, jaw tight, saying nothing, and something in me finally broke open.
"Tell me one thing," I said. "Just one. Was any part of my marriage real?"
For a moment I thought he was going to answer. His mouth opened slightly, his eyes held mine, and I saw something behind them that looked almost like relief, like a man about to put down something heavy.
His phone rang.
He looked at the screen. I saw it too, just for a second. *Chairman's Office.*
He declined it.
It rang again immediately.
He answered this time, turning slightly away from me. "I'm with her." A pause, long enough that I could hear the faint shape of a voice on the other end, though not the words. His hand tightened around the phone. "No."
He hung up without saying anything else.
Whatever he had been about to say died behind his eyes.
"I have to go," he said.
"Roman—"
"Stop looking for answers in government buildings." His voice was flat now, final.
Then he was gone, the bell over the door ringing behind him, and I stood alone in my studio with my heart pounding and no answers at all.
I didn't notice the watch until I was locking up for the night.
It was sitting on the edge of my workbench, half hidden under a stack of restoration papers, the same watch Roman had worn every day of our marriage, the one his father had given him. He never took it off. Not to shower, not to sleep, not once in seven years.
I picked it up carefully, and that was when I noticed the back panel wasn't sitting flush against the case, like it had been opened and closed in a hurry.
I pried it open with a fingernail, the way I'd opened a hundred old lockets in my work, gently, patiently, and inside, folded into a square smaller than a stamp, was a photograph.
Not the studio portrait from our official wedding file, the one that apparently now belonged to Camille.
A different one. A private one, taken by no photographer at all, just the two of us at the lake house, laughing at something neither of us would ever remember, my head against his shoulder, his hand curled around mine.
On the back, in his handwriting, four words.
*Forever, Mrs. Ashbourne.*
I sat down slowly on my studio stool, the photograph trembling in my hand, and turned it over again, holding it closer to the light this time, and that was when I saw it. Beneath the four words, so faint it looked almost scratched away, another line, pressed so lightly into the paper it had nearly disappeared.
*Burn this before they find it.*c
"I'm not jealous," he said, immediately, entirely too fast to be convincing."Roman.""I'm processing information.""You're jealous."He was quiet for a second, jaw working like he was deciding whether dignity was worth the fight. "Fine. A little." He said it like a concession in a negotiation he'd clearly lost before it started. "Not because I think anything's happening. I trust you completely. I trust him, professionally, as much as I can trust a man who apparently gets to look at your work up close on a Tuesday night while I'm across town not understanding a single thing you're talking about.""You could learn.""I have no interest in humidity readings.""You have interest in whatever lets you understand this part of my life.""That's not the same as interest in the wood itself."I laughed, delighted, and didn't rush to smooth it over the way I might have years ago, some old instinct to manage his feelings before they became inconvenient. I just let him sit in it, watching him try
I answered on the third ring, Roman still close enough that I could feel him not-quite listening, pretending sudden interest in the bowl he'd been trying to relocate all evening."Sorry, I know it's late," Adrian said, no preamble, straight into the problem the way he always was. "The Hendricks panel. The one we flagged for the humidity issue last month. The reading spiked again tonight and I don't trust myself to make the call on whether we pull it or leave it another week.""How high?"He gave me the number, and I felt myself shift automatically into the part of my brain that lived for exactly this kind of problem, running through the material, the timeline, the risk of moving it versus the risk of leaving it exposed. Roman watched me change in real time, laughing wife dissolving into something more precise, more certain, and I caught him noticing without saying anything about it."Pull it," I said. "Tonight if you can get someone in, tomorrow morning at the latest. That reading's c
"It's going in the living room." "It is going nowhere near the living room." "It's earned its place." "It has earned banishment." I carried the crooked bowl the entire drive home like a trophy, and Roman spent the whole time looking at it in the passenger seat with the wariness of a man escorting an unexploded device.Back at the townhouse, I set it deliberately on the console table by the door, and he moved it to the kitchen counter within ten minutes, muttering something about it being "closer to disposal" from there. I moved it back. He relocated it a second time. By the third relocation we'd stopped pretending to be serious about it and were mostly just laughing, clay still drying in patches on both of us from the studio."You have some on your neck," he said, reaching to brush it away, his thumb lingering a beat longer than the cleanup strictly required."You have some in your eyebrow.""That's structurally impossible.""It's very possible. It's right there."He went to check in
"You said practical clothing." "I said comfortable. Those are different words." "You knew what would happen." "I had theories." He looked down at his sleeves, already rolled to the elbow despite his obvious resistance to the whole enterprise, and followed me inside like a man walking into a meeting he hadn't been briefed for.The instructor demonstrated the wheel with the kind of casual competence that made it look effortless, clay rising smoothly between her hands into something resembling an actual bowl, and Roman watched with the intense focus he usually reserved for quarterly earnings. "That looks manageable." "It is not manageable." "You've never tried it." "I know myself."I was right. Within thirty seconds his clay had gone lopsided, listing hard to one side like a building mid-collapse, and he stared at it with genuine betrayal, as if the material itself had personally failed to meet expectations. "It was centered." "It was not centered." "The instructor said it was centered."
I told him at breakfast that this week's date was mine to plan, and he took it about as well as I expected, which was to say he immediately began treating the information like a puzzle he intended to solve before we ever left the house. "Just tell me the general category." "No." "Indoor or outdoor." "No." "Formal or casual." "Roman." "I'm asking reasonable questions." "You're asking reconnaissance questions."By the time I'd finished getting dressed, he'd already changed his shirt twice, apparently guessing his way toward the correct level of formality through sheer trial and error, and I found him standing in front of the closet holding two nearly identical jackets like the fate of the evening depended on his choice."Those are the same jacket.""They are not the same jacket.""Roman, they are the same color, the same cut, and I genuinely cannot tell them apart.""One has a different lining.""Nobody will see the lining.""I'll know."I left him to it and went downstairs, and he appe
I turned the coaster over in my hands one more time before setting it beside the photograph, and something occurred to me watching the two of them sit there together, our early relationship reduced to a napkin, a ticket stub, a scrap of paper neither of us had planned to keep."We should start a new box."Roman looked up. "For what?""For this. Now. Not evidence we used to love each other. Evidence we're actually living."He considered that with more seriousness than the idea probably deserved, then went and found a small wooden document box from somewhere in his study, sturdy and plain, the kind of thing that had probably held nothing more interesting than old contracts until this moment. "This is good. Sturdy." "You're already treating this like an infrastructure project." "Everything worth keeping requires infrastructure." "You're impossible."We wandered through the townhouse trying to decide what qualified, and Roman's first suggestion was a spare key to the coffee machine, which







