There's definitely a spectrum, and my first thought goes straight to 'The Secret History'—not just because it's the blueprint, but how Tartt digs into the obsession with Greek tragedy. She recreates that sense of a text being a living, dangerous thing, something you can get lost in and maybe not come back from. That’s a very Victorian Gothic notion, right? The book as a cursed object, knowledge that corrupts.
Then you've got the modern wave, things like 'Bunny' or 'Ninth House', which filter similar themes through different lenses. 'Bunny' uses surreal horror to dissect the artifice of academia and female creativity, which echoes the satirical, performative nature of something like 'The Picture of Dorian Gray'. The classic theme isn't just referenced; it's mutated by the contemporary setting. I find that mutation more interesting than a straight homage.
For a less obvious pick, 'The Starless Sea' by Erin Morgenstern plays heavily with intertextuality and myth. It’s not grim in the same way, but its core is about stories within stories, how narratives from the past literally bleed into and shape the present. That library-as-world concept feels like a direct descendant of Borges, blended with a dark academic aesthetic of hidden knowledge and secret societies. It captures the literary theme of the archive as both sanctuary and labyrinth.