Perspective Writing の小説・ストーリー

I was disappointed in myself for knowing nothing, yet I pretended I did. “You see,” Lawrence uttered as he sat up and met my gaze. “There are things that seem pointless if you look at it from your own point of view. It doesn’t mean you see this and hear this, then you know everything. That’s the main reason why there are many two types of POVs in the story. First-person POV, and Third-Person POV.” He gave me a satisfied smile as he leaned closer.

- HAZEL - I'm stuck in a spot here. After my recent conviction, I finally know what to write in my book. I'm just writing my story in a third person's pov or narrative point of view, in my opinion, while switching a few things or making a few tweaks here and there.

— ¶ ¶ — POINT OF VIEW This story is written in dual first-person POV. You will live primarily inside Raven’s head because that is where the real war is fought. The perspective of other characters would appear selectively when their inner worlds deepen the emotional stakes. You will always know whose head you are in. I will never leave you lost or hanging. Trust me. — ¶ ¶ — AUTHOR'S NOTE Thank you all genuinely. Out of everything you could be reading right now, you chose this. That is not something I take lightly.

•───⋅☾ ☽⋅───• POINT OF VIEWS - POVs. This book is written with both the main male character’s (MMC) and main female character’s (FMC) perspectives. However, I’ll include these viewpoints only when they fit the story. I won’t add the MMC’s or FMC’s POV just for the sake of it, especially if it doesn’t match the scene or the mystery of the plot. I know some readers might want more of the MMC’s POV, and while I understand that, every choice is made with the story’s development in mind. Each perspective is used to help the story flow and keep the suspense. Thank you for understanding and enjoying the ride.