Publishing Writing

ღ꧁ღ╭⊱ꕥ Maria Isabel Monedero fantasized about being like Shakespeare. She devoted her all life to writing romance tragedy stories. She joined many writing competitions but never won. She almost gives up her spirit, but her bubbly personality doesn’t. Until the day she graduated college. Then, Maria Isabel Monedero, known as Mimo as her pseudo name, joined Story & Life publishing incorporation to work as a creative novelist. She got admitted, and many editors demanded that she be in their lineup. Unfortunately, before she gets to designate a team, she must undergo provision training within six months. Then, finally, the publisher assigns her a personal editor named Jaime Tejedor, who claims to be a hopeless romantic. He dislikes tragedy romance stories, which is Mimo’s best field in writing. He rejected Mimo’s works twice, and she only has the last chance to stick around. If she ever gets rejected again, it’s the edge of her career. For her to evade that… She plots to seduce her editor to approve her work. Will she succeed? Or fall entirely to his charm? ꕥ⊱╮ღ꧂ღ

Rai’s worst day was not the one she woke up blind, but the moment she realized she’d married a monster. For the past seven years, she has escaped Cliff, her corrupt, sociopathic husband who refuses to divorce her. The last thing she needs now is another relationship, but some men are hard to resist. Gideon senses Rai’s apprehension, but that doesn’t deter him. It fuels his curiosity. What starts out as an innocent five-day cruise, soon turns into an attraction that could destroy them both. Cliff is clever, deadly, and resourceful. To defeat him, Rai must find courage and trust Gideon, even though his protective devotion might get them both killed.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.

Raised by a monster from Transamagei since being abandoned at birth, Zea is hunted down and forced to become a part of the Soul Stealers that killed his family and stole his name. Everything he has known no longer exists. Moon is nothing but a demon with a false name and a murderous desire to slaughter and devour anyone who stands in his way of becoming a true Soul Stealer. Having to work with the young Soul who killed his father, Moon must carry out his own Mission to earn his survival; capture the illusive White Wolf and her family. But as the sinister truth behind the capture is discovered, Moon must decide if his life and those of his friends are worth more than what is morally right.

Noong unang beses na nakita ni Euphie ang lalaki, naisip niya: Love at first sight ba iyon? O isang nakatalagang soul mate? Pag-uwi niya, nakita niya ang isang lumang larawan ng isang matangkad at guwapong lalaki. Naglakbay siya pabalik sa panahon sa larawan, nakilala ang lalaking iyon, at natagpuan ang sagot sa tanong na iyon. Inisip niya ang lahat, ang kanyang kasintahan.