The Ex-Change
Which is to say, it has zero symmetry, no obvious organizational system, and an impressive number of random objects that shouldn’t belong together but somehow do.
I pick up a book from the coffee table. It’s an architecture book. Of course.
Underneath it? A Morbius comic.
I squint.
A man in his thirties, with a degree, a career, and an allegedly functional brain, is out here stacking academic texts on top of Marvel comics like that makes sense.
I roll my eyes and toss the book back.
But it gets worse.
The bookshelf is a mystery zone. One side looks normal—novels, reference books, the standard intellectual nonsense. But then, shoved into the mix like some kind of psychological experiment, is: