Zodiak 20 Mei

Each year 20 girls and 20 boys are invited to become part of the esteemed Werewolf Academy alumni. The school focuses on training each individual to handle anything and everything that could be thrown at them in pack life. These boys and girls aren't your regular omegas. Each of them has Alpha blood running through their veins. Now meet Yvonne. She's a sweet girl, who's father is the Alpha of her pack. Yvonne doesn't normally get involved in the political affairs of the pack. Instead she takes more of a warrior role. She loves her pack members and they love her. When Yvonne receives a letter from the Werewolf Academy, she has no choice but to accept. Sophie never thought the Werewolf Academy would want anything to do with her. She wasn't even next in line for the Alpha position, her older brother was. Sophie will make new friends along with some old ones, and she would eventually have to get a mate , How would she co relate with other wolves ? What kind of mate would Yvonne end up with ? Would she be able to keep up or quit the academy? Read on to enjoy the drama ! Romance ! and action .

Marko Peralta was only 20 years old when his mother died. After his father went missing, Marko felt angrier—until his uncle gave him his last mission. Curious to seek his new destiny, Marko try his best to act like an innocent man. And does indeed meet a man with his own hidden past. And as he pieces together the information about his past, shocking surprises about his mother case come to light.

Ella Moore is 20 year girl running away from her family after a homicide. She collides in a luxury bus with Trevor K, a 27 year old software engineer who seems somewhat interested in her affairs. Through his incessant questions, witty expressions and antics, the reclusive Ella finds herself doing the unusual : bonding with this strange man in the most annoying way. Is this quick familiarity out of loneliness or an admiration based on affection, benevolence and common interest? Love on a Luxury bus brings to you the tale of heartache, family and relationships. The romantic story unfolds in a journey. This literal adventure will arouse feelings of love, sadness and empathy.

Ich verbrachte sechs Monate und gab über 20.000 Euro damit aus, einen Familienurlaub zu planen. Als jedoch Alexanders Jugendliebe Victoria von unserer Reise hörte, flehte sie darum, sich uns anzuschließen. Alexander zögerte nicht. Er stornierte meinen Platz im geschützten Konvoi und gab ihn stattdessen ihr. Er zwang mich, allein durch das tödliche Schattenrudel-Territorium zu reisen – eine sechsunddreißigstündige Reise, bei der im letzten Monat drei Wölfe gestorben waren. Die ganze Familie unterstützte Alexanders Entscheidung, ohne einen Gedanken an meine Sicherheit zu verschwenden. Also änderte ich meine Reisepläne. Ich fuhr nach Norden statt nach Süden. Drei Monate lang amüsierte ich mich und ignorierte ihre Rudelverbindungs-Nachrichten. Da begann die Familie zu geraten...

Et si les rêves étaient en fait des myriades de dimensions parallèles ? Chaque fois que l’on s’endort, notre esprit crée un monde éphémère qui se désagrège à notre réveil. Mais Isobel possède un don particulier : celui de se projeter dans ces dimensions fragiles, de les altérer, voire même d’en restituer les images dans le monde de « l’éveil ». À 20 ans, elle cultive un quotidien simple et solitaire dans un petit village des Highlands. Jamais elle n’aurait pu prédire que cette femme, aperçue fugacement sur les rives de son loch local, fasse à ce point basculer sa vie. Pourtant, celle-ci s’invite dans ses songes et l’obsède. Pour lever le voile sur ce phénomène inédit, Isobel devra suivre un fil d’ariane entre rêves, veille et cauchemars.

ยอมเสียความบริสุทธิ์เพื่อแลกกับเงิน และของมีค่าเกือบ 20 ล้านบาทกะว่าถึงฝั่งจะชิ่งหนี ทว่าโชคชะตากลับเล่นตลกผลักให้เธอกลับมาเจอเขาอีกครั้ง "ว่าไงเมียจ๋า มาหาผัวถึงที่เลยเหรอ" 'ซวยแล้วไง...โอ๊ยยยยย!'

“why do you hate me so much and live him?” Night asked while cageing her in his arms. looks like owner of body in which Sandra was in love with someone else. “ look I dont know who HE is so I dont love him and neither you” At Sandra’s reply Night seemed pleased and got off her. What the hell! Sandra was in body of girl she saw in her dreams. she doesnt know how but here is the question If she was in body of girls in her dreams then where is soul of this body? . "Morning cupcake!" Enola eyes were wide awake after she heard an unfamiliar voice getting up she only foundnd herself gawking at most handsome man she had seen in her entire life “ My wife likes what she sees”Johnathan said what the fuck? Enola didnt even knew this man but he was talking about marriage that was when she saw her reflection in mirror. She was spitting image of girl in her dreams. how the hell did this even happen? . . *Switched* 2 girls belonging to complete different worlds got their souls switched into each others bodies. Sandra Holland and Enola Holmes . for some unknown reason these girls saw each other in their dreams and once they were drawn into unwanted marriages they wished to be girl in their dream. once their souls got switched their wish came as reality and slap them hard across face as they were now in an unknown world in an unknowns person's body and were married to unknown men. they struggle to return to their bodies and worlds but always failed thanks to their unwanted husbands. would they able to return to their bodies and worlds Or would they fall for their unwanted husbands and accept life they have?

One word used to describe her life was "Pain". She had to endure all forms of it, because she was in need of the money. Working under a cruel arrogant CEO was one of the hardest things ever, but she was desperate. Aurora is a 20 year old lady, who worked as a secretary to an arrogant boss for over three years. She had endured all the countless insults and curses thrown her way by him, why? Because she needed the money to survive. Finally, she had found an escape by finding a sweet sugar boss online who called her baby all day. She was assured her life would be better now,will it?

prologue She turned towards him. With a seductive look on her face. She came close to him. Wrapped her arms around him. He hugged her with all his myth. He felt like he got his world in her. " you know what, once in these streets we crossed each other's path, and now in these vary streets it's gonna end," she said with a blank look. " I love you, Ishani! " Mujhse Pyaar tum Karte Ho par tumhari Zindagi ki zaroorat main banugi, Tumhe pata bhi nhi chalega kab tumhare dil, jaan mei sirf Mera naam hoga' she thought in her mind (you love me, and I'll become the need of your life, you would not even know when I'll become your heart, life... You'll only have my name in your heart) " you love me? " she asked. He nodded with a smile " then jump from here or I will," she said with seriousness in her words. Second scene " you thought I love you," she said with a laugh. " with an idiot like you... Babe, sorry but better luck next time " she said waving her hand in the air. Suddenly she collapsed with a hard chest. He looked into her eyes .he eyes show hurt and betrayal. " if you didn't want me... If you never loved... Then why? " he said with hurt in his words. His arms wrapped around her in a painful manner. " if was all just. A daring babe... Just a dare " she said in a chocked voice. She had a hard time dealing with her feelings. He left her and went away. Suddenly she lost her balance and collapsed on the floor. " I love you Vansh," she said to herself and out loud.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.