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I stare at the email on my screen, unable to move my fingers. Tomorrow is our company's crucial product launch, and I just learn that the patent for the algorithm I spent three years developing is now filed under Matthew Ashford's new assistant, Sophie Bennett. I storm into Matthew's office to confront him. Sophie sits on his desk with her legs crossed, looking completely innocent. She claims that she filled out the form by mistake. "It's just a clerical error. The patent still belongs to the company. What's the big deal?" Matthew stands up from his chair, positioning himself in front of Sophie. I can't believe what I am hearing. "Matthew, this is my research!" "Emma, you're thirty-five. Why are you picking a fight with a twenty-three-year-old intern?" He frowns. Then, he turns to Sophie. "Starting tomorrow, you're the new CTO. Emma needs… some time off." I'm utterly stunned. A decade of marriage and five years dedicated to building a company together have been shattered by a few casual words from him. Thirty minutes later, Sophie posts a photo on social media of herself sitting on Matthew's lap. They are both clinking champagne glasses. "So lucky to have the best boss ever. I'll make sure to be his loyal kitten." Below that, Matthew leaves a comment—three red heart emojis. I shut my laptop and pick up my phone. "Hello. Is this Mr. David Langley from Novara Group of Sundale Valley? This is Emma Whitmore. I've changed my mind. I'm ready to join you." I pause. "And by the way, about that unreleased algorithm upgrade, I have the complete technical blueprint. Make me an offer." Later, I fly to Tallisport with an eight-figure check in hand, while Matthew goes frantic trying to find me.

During a company team-building event, I collapse from a seafood allergy. Yet my fiance, Frederick Scott, rushes Beatrice Sutton, who only twisted her ankle, to the hospital. I come close to dying because I don't get treatment in time. Later, Frederick explains, "Beatrice is my best friend's sister. He's seriously ill now, and I promised him I'd take care of his sister. I swear I'll keep my distance from her from now on." This isn't the first time I've heard an excuse like that. On our fifth anniversary, Beatrice accidentally deleted a work file and burst into tears out of worry. When Frederick heard about it, he left me stranded on a mountain and drove back to the office himself. I spent a whole day and night walking home through the rain. On Christmas, Beatrice's house lost power. Frederick was worried that she might be scared of being alone, and he rushed over to her place without even telling me, leaving me out in the snow waiting for him until dawn. These kinds of things have happened countless times. Afterward, he always brushes them off with the same excuse. I've long since lost all faith in him and no longer believe a single word he says. I pick up my phone and call the company that keeps reaching out to me. "I've decided to accept your offer from last time. I'll bring the core technology with me."

By my third month on the job, I discovered that my coworkers had been calling me "the old crow" behind my back. The nickname came from none other than Jace's condescending secretary—because at 32, I was still clutching onto an eight-year relationship that hadn't ended in marriage. I confronted Jace. "Do you know your employees have been calling me the old crow?" He didn't even bother to look up. "That's just Sadie—she speaks her mind and means no harm. You're 32; why get so worked up over what a young girl says?" Then he gave me a faint, mocking smile. "Though honestly, it's a pretty fitting nickname." It felt like a cold hand had wrapped around my heart. So that was it—eight years of my youth, nothing more than a joke to him. I turned and walked away, handed in my resignation, and blocked every way he could reach me. But for the first time, the man who had always seemed so calm and untouchable finally panicked. "Elara," he pleaded, "please come back."

On the seventh year after we moved overseas, my 13-year-old daughter, Anna Jackman, is hailed as the internationally renowned piano prodigy. No matter how difficult the song is, Anna is capable of weaving beautiful melodies with it. But there's only one song that Anna refuses to play. It's a seemingly ordinary lullaby. She's worried that she might end up forgiving that despicable man again once she plays it on the piano. So, when said man, Micah Jackman, turns up on our doorstep with a piano that's handcrafted by a master craftsman and asks Anna to play him the lullaby, she just shakes her head calmly in return. "I don't know how to play that song, sir." Micah's eyes redden immediately. He grabs Anna's hand and navigates it to the piano keys. "That's impossible! Aren't you a piano prodigy, Anna? Haven't you always wanted to have a piano of your own? I've already bought you your own piano this time! From now on, if you have any wishes, you should tell me, and I'll grant them for you." Anna draws back her right hand coldly. "It's fine, sir. I can earn my own money to buy my own piano. You should take the piano back to your daughter." Micah feels as though his heart has plunged into the abyss. He immediately pulls Anna into his arms. "What are you talking about, Anna? You're my only daughter!" But Anna looks a little puzzled. "Didn't you say that Ms. Sinclair's daughter is the only one worthy of becoming your child? Didn't you give the piano you promised for me to Ms. Sinclair's daughter?" Having reached that point, Anna just smiles nonchalantly at Micah. "It's fine, sir. Since you like Ms. Sinclair, you can just raise her daughter. I'm already content enough with Mom by my side."

Have you ever lived a life that looked perfect—but felt like nothing? Felt yourself slipping away every day… yet still couldn’t call that life your own? Well, Serena Beckett has. The perfect daughter. The perfect wife. Invisible in her own story. Born into a wealth she was never allowed to claim. Married into a life she didn’t choose, but ended up loving endlessly as she thought she could finally have a thing of her own. Until the night her husband walks in with a stranger… and divorce papers. That night, something breaks in her. And something far stronger takes its place. Serena doesn’t crumble. She doesn’t leave. Not until she decides who she really is—beyond the Beckett name, beyond the lies, beyond the mask she’s worn for far too long. Is she the girl her family tried to tame? The wife Eliot thought he could throw away? Or someone neither of them ever saw coming? And when Eliot finally sees her… Will it be too late?

I was just a student who couldn't afford tuition. For five years, I was also the secret lover of Mafia Don Dante Costello. Publicly, I was his personal art restorer. In private, he spent his nights making me his, holding me close and kissing me breathless. Then his family arranged his engagement. To Isabella Rossi. A princess from a rival family. At their engagement party, Isabella stabbed the back of my hand with a shard of broken glass. He made me apologize. To her. For making a scene. Fighting back tears, I bowed my head to Isabella. When Isabella lost a bet and had to play Russian Roulette—one bullet, six chambers—he made me take her place. My hand shook as I raised the gun to my head. "You saved my life once," I told him. "Now you can have it back." The moment I vanished from his world, the ruthless Mafia Don who had everything under control...completely lost his mind.

On the day, my husband, Eugene Doyle, receives the offer to further his studies in the city, he serves me divorce papers instead. I, Maria Johnston, am eight months pregnant with his child. He tries to console me. "Maria, ever since my elder brother, Edgar, passed away, Janice has had nobody taking care of her. She can't survive on her own. "I'll marry her for the time being, just on paper, until she manages to find her footing in the city. After that, I'll come back and marry you again." Everyone assumes that I will patiently and obediently wait for Eugene to return because of my pregnancy. However, I tear up his written oath to me and terminate the pregnancy that same day. Then, with the offer letter for the National Archeology Certification in my hands, I leave our little village and disappear from Eugene's life. Five years later, I become a successful archeologist and return to the same village for a survey. My current husband, Rupert Kingston, can't come at the same time as me due to an emergency meeting, but he has informed the villagers to welcome me with open arms ahead of time. To my surprise, I meet my ex-husband instead. He says, "I know that you lost your baby at eight months. There's no need to be ashamed about it. It's about time you came back after running away from home all those years ago. "Janice is about to give birth. We need you to be her nanny."

Blurb “Admit it, you want me,” Frank said, staring deep into my eyes like I was the best thing he had ever seen. “I…don't.” “Real believable glasses.” He murmured, inching closer and closer. “Stop me if you truly believe your body isn't aching for me like mine is.” And then he claimed my lips in a searing hot kiss that left my body aching for him and my pussy dripping. Mimi Salvador has one rule: keep her fantasies on paper. The awkward, book-smart college writer has spent years hiding behind her laptop, secretly crafting spicy fanfiction about her stepbrother, Danny, the campus hockey golden boy. But when a mix-up at his game hands her smutty manuscript to his arrogant rival, Frank Santiago, her carefully built world combusts. Frank, cocky, tattooed, and maddeningly irresistible, should be her worst nightmare. Instead, he becomes her reluctant savior, claiming to be her boyfriend to save her from public humiliation. But pretending to date the campus bad boy comes with consequences… like stolen kisses that feel too real, late-night texts that make her heart race, and the terrifying realization that she might be writing her next fanfiction about him. Now Mimi’s torn between the boy she’s always loved and the one who’s making her rewrite every fantasy she’s ever had. In a campus where secrets spread faster than gossip, one mistake could cost her everything, including her heart. steamy, enemies-to-lovers, fake-dating hockey romance about love, lust, and learning that sometimes the best stories are the ones that write themselves.

For five years, Marco Falcone was the perfect man. Or so I thought. The illusion shattered on the night of our engagement party, when his mistress crashed it, a five-year-old boy in tow. The boy ran straight to Marco, crying, "Daddy! Daddy, I finally found you!" It had to be some kind of sick joke. But then Marco turned to me, his voice stripped of all warmth. "This is my son, Leo. A… mistake Sofia and I made five years ago." "Leo is the Falcone heir. I have to legitimize them. That means I'll be engaged to Sofia first." "But Lydia, believe me, I still love you. We can have our engagement party in six months. You're going to be the Donna of the Falcone family. I expect you to be generous and understanding. This is non-negotiable." I laughed, a cold, sharp sound, and slid the engagement ring off my finger. My eyes scanned the room and locked on the man in the corner—Lorenzo Moretti, the most powerful Don in New York. He held another title, one only I knew: the man who’d been trying to make me his. "Don Moretti," I called out, my voice clear and steady. "I find myself in need of a new fiancé. Are you interested?"

I was only ten years old when Timoteo Panno found me on the streets of Sirithi. He's the Don of the Panno family, the strongest mafia family in the country. He's also the one who taught me how to protect myself. When I turn 18 years old, I become his lover as well as the weapon he's most proud of. Timoteo isn't interested in other women. I'm the only one staying by his side for many years. We've been with each other for four years. Everyone thinks I'll eventually become the Madre of the Panno family. That is, until Nadia Bellucci accidentally kills her fiance and desperately needs a clean identity to wash herself of all suspicions. As she clutches her chest that houses her heart, which is now weakened from the time she has saved Timoteo's life, she whines coquettishly, "Timoteo, I don't want to go to prison…" With a smile on his face, Timoteo doesn't hesitate to push me out as the scapegoat to take the blame for Nadia. "You've always been a pawn who gets abandoned all the time, so you might as well do it one more time."