Literary Symbols

She was never meant to want him. He was never meant to need her. But some shadows are too enticing to ignore… For as long as Isla Montgomery can remember, Liam Sinclair has been more than just her father's best friend—he's been a whispered name in the hallways, a powerful presence in their family conversations, and a haunting figure in her daydreams. Charismatic, cold, and irresistibly out of reach, Liam built an empire from the ashes of betrayal. And now, he's back—richer, harder, and more broken than ever. Isla is no longer the wide-eyed girl he once brushed aside. She’s grown, bold, and dangerously drawn to the man who was always forbidden. But when her father's past begins to unravel, Isla finds herself tangled in a web of secrets, lies, and a truth that could shatter everything. As her world crumbles and Liam’s enemies close in, Isla must decide: Is she chasing the man... or the shadow of who he used to be? Because loving Liam Sinclair could be her greatest rebellion—or her final downfall.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.

Saga of Pandora Interrupted continues with this story that follows her daughter Madeline. Madeline finds love in the most profound men. Being a vampire princess has never stopped her from exploring her sexuality but when one relationship gets foul she moves on to another. She never quite finds what she truly needs and desires. Travel through the life of a vampire princess as she matures and grows into the stunning queen she was destined to become alongside the man that she would also die for if it came to having to make that choice. (We hope it doesn't for literary sake) Sexual Content, foul language and some violence.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Anna Quinn is an adventurer who loves to travel to new places not only for the sake of adventure, but also to gather information for her novel. Her passion for literature has earned a lot of attention in her literary journey, where she also met her pen partner, Bien Fausto. Both of them are novelists who are dedicated to their craft, but everything changes when Anna discovers a paradise in Kauai and loses herself to a man named Jax. A messed-up situation that will change the way things were used to be. How will these unintentional events affect their lives? Will Anna be able to recover from her mistake, or is this the beginning of a new chapter in her life with another man?

Pledged by birth to ancient obligations he barely understands, the unnamed heir grapples with a destiny that demands secrecy and sacrifice. Cloaked in shadows within his ancestral keep, he learns to read arcane symbols whispered through generations. When political machinations from the gilded twilight city threaten to expose his lineage—and his potential—he must navigate deception and hidden loyalties to claim what is rightfully his. Guided by a devoted guardian, and haunted by the weight of prophecy, he must choose whether to embrace the power he fears or shatter the silence that has long protected him.

Detective Casie Blackwood thought she'd left her supernatural past behind when she joined the police force ten years ago, fleeing the shame of public mate rejection and family abandonment. Now, ritualistic murders are forcing her back into a world she desperately wanted to forget. Three human victims have been discovered with surgical precision wounds and ancient symbols carved into their palms—markings that point to forbidden blood magic from before the supernatural communities established peaceful coexistence. When Casie finds a note written in the old pack language reading "The Hunt Begins," she realizes someone is deliberately targeting humans to harvest their primal fear, threatening to expose the entire supernatural world. Partnered with Detective Rick O'Connor, who remains unaware of her true nature, Casie must navigate the investigation while concealing her enhanced senses and knowledge of the supernatural. The wounds aren't from blades—they're fang marks. The positioning isn't random—it's ritualistic. And the killer's scent carries a terror that suggests they're being hunted by something even more dangerous. Forced to break ten years of silence, Casie contacts her estranged brother Elias, learning the symbols are ancient binding marks used to channel supernatural energy across factional boundaries. The killer needs seven sacrifices total to complete a ritual that will shatter the barriers between the human and supernatural worlds. With three victims already claimed and only four days until the next lunar cycle, time is running out. As federal agents circle and media attention intensifies, Casie must choose between maintaining her carefully constructed human life and embracing the supernatural heritage she rejected. The investigation isn't just about stopping a killer—it's about preventing an all-out war that could destroy both worlds she's sworn to protect.

Jadeshola Badmus is not your regular female lead. She's Outspoken, Brilliant, Sassy, beautiful, intelligent and is the president of the Literary and debate team. What's more, she comes from a very wealthy family and is the head girl of her school, Lakeview High, one of the most prestigious schools in the country. The only bad luck for her comes in the form of the golden star boy of the school, Uthman Gbadamosi, her arch rival in debating, the school's head boy, football team captain and the crush of many girls in school except Jade of course. The two are thrown together after a brief encounter and they found themselves developing feelings for each other admist family breakdown, friend's betrayal, failed tests and missed opportunities. This book basically follows the lives of the finalists at Lakeview High as they maneuver their way to become better adults in the seemingly ugly world.

> “Stay still, Little Thorn… I want to taste you slowly.” His voice was velvet and ruin. His mouth, a weapon. And I—fool that I was—leaned closer. Before death wore a suit and called itself a lover, I used to believe in beauty. Before the blood. Before the runes. Before I painted the image that killed my parents—I believed my art could save me. Now I know better. I was just weeks from graduating when the painting came to me like a fever. I didn’t choose it. I didn’t plan it. My hands moved, possessed, dragging symbols I’d never seen and a face I’d never forgotten—his. Eyes red as wine. A crown pierced with thorns. And a girl in the center… me. Offering herself. I signed it with a mark I didn’t recognize. I sold it to a stranger. And days later, my parents were dead—no wounds, no reason, just... gone. The police said stress. I say fate. Now I’m being hunted by a world I didn’t know existed. Vampires with ancient courts and older grudges. Symbols that whisper in my blood. And Lucien D’Aragon—the vampire who says I summoned him with my brushstroke. That I belong to him. He says I’m his prophecy. His ruin. His Little Thorn. But I’m not just prey. Something is waking in me. Something hungry. Something I was never meant to survive. If I give in, I lose everything. If I fight, I might finally learn the truth. About my art. About my bloodline. About what really happened that night. And why he keeps whispering that I was painted for ruin... but made for him.

Pierre Paul Abutu gives a humorous, fascinating and dispassionate narration of the unique intimate and romantic events of his life from teenage to adolescence, and into the early stages of his adult life. This narration revolves around the lives, and relationships of sixteen ladies with whom he shared happy, intimate, eventful and evergreen moments of his life with. These love affairs occur in Pierre Abutu’s life, at his university, the Augustine Nnamani Campus, Agbani, in Enugu Campus of the Nigerian Law School, Akwa Ibom State and the Federal Capital Territory, Abuja. Due to his religious beliefs, personal convictions, personal principles, metaphysical and supernatural predictions and postulations, the media, intellectual and literary effects in his life, most of these affairs either ended abruptly or amicably. These love affairs also reveal the negative attitudes, traits and deceptive machinations of these girls and ladies. Even though certain unpleasant and resultant effects were never intended at any particular stage, or with any of these girls and ladies, one thing was very clear: each love affair was and would always be evergreen to Pierre Abutu.