Marxist Literary Approach

My mom made me pretend to be a boy since I was a child, all in hopes of winning my father’s love. As I was about to graduate from college, I decided to leave the country for good. However, I never expected my secret crush to tie me up.

For three years, she had never been able to see her husband who left the Aisle without showing his face. She kept waiting for his return home, despite everything. Her mother-in-law treated her like a slave until he returned. The day she thought she would be happy to see her husband who she has been waiting for three years, he appeared along with his first lover and declared that he only loves his girlfriend. Three years of their marriage broke within three days, she left, stepping onto his prestige. After three years, in a business meeting, she appeared as the biggest shareholder of his Enemy company. His Ex-Wife Is Now A Big Shot.

She was never meant to want him. He was never meant to need her. But some shadows are too enticing to ignore… For as long as Isla Montgomery can remember, Liam Sinclair has been more than just her father's best friend—he's been a whispered name in the hallways, a powerful presence in their family conversations, and a haunting figure in her daydreams. Charismatic, cold, and irresistibly out of reach, Liam built an empire from the ashes of betrayal. And now, he's back—richer, harder, and more broken than ever. Isla is no longer the wide-eyed girl he once brushed aside. She’s grown, bold, and dangerously drawn to the man who was always forbidden. But when her father's past begins to unravel, Isla finds herself tangled in a web of secrets, lies, and a truth that could shatter everything. As her world crumbles and Liam’s enemies close in, Isla must decide: Is she chasing the man... or the shadow of who he used to be? Because loving Liam Sinclair could be her greatest rebellion—or her final downfall.

There is two way to approach FEAR : Forget Everything And Run Or Face Everything And Rise Which one did you desire?

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Take a look at the world through Audrea's glasses. Audrea is full of life and dreams. She has a very unique approach towards life and loves to explore the depths of it. Let's embark on this journey with her and find out the perks and troughs of being a teen in today's world.

|SUTON| n. The approach of death or end of something. "What did I do to deserve this?" He chuckled before saying, "You were born princess," She bathed in her own tub of blood. And her watched her, finding pleasure. He was killing her While she was saving him

Anna Quinn is an adventurer who loves to travel to new places not only for the sake of adventure, but also to gather information for her novel. Her passion for literature has earned a lot of attention in her literary journey, where she also met her pen partner, Bien Fausto. Both of them are novelists who are dedicated to their craft, but everything changes when Anna discovers a paradise in Kauai and loses herself to a man named Jax. A messed-up situation that will change the way things were used to be. How will these unintentional events affect their lives? Will Anna be able to recover from her mistake, or is this the beginning of a new chapter in her life with another man?

Saga of Pandora Interrupted continues with this story that follows her daughter Madeline. Madeline finds love in the most profound men. Being a vampire princess has never stopped her from exploring her sexuality but when one relationship gets foul she moves on to another. She never quite finds what she truly needs and desires. Travel through the life of a vampire princess as she matures and grows into the stunning queen she was destined to become alongside the man that she would also die for if it came to having to make that choice. (We hope it doesn't for literary sake) Sexual Content, foul language and some violence.