Poem Sunflower

Twenty-year old Harper hasn't had much luck in life so far. Her mother is a drunk and a junkie and a serial dater, her father left them when she was five years old. Harper has never had a father figure, she only has her mother's boyfriends to go by. When her relationship with Dylan comes to an end, she is left devastated, lonely and filled with a longing to have someone who can make her feel whole, loved and protected. Dylan's father, Levi has been divorced for two years, he's hurting badly and wants a woman in his bed to take away the pain and loneliness. Harper is always at his house, the kid that was dating his only son and he can't help looking at her in a way he shouldn't. He knows she is way too young for him, he's thirty-seven and knows better but he can't resist her infectious smile, the way she laughs not to mention the way she looks. Can there be happiness between two people who are nineteen years apart, what will people think, what will his only son think? He must stay away from her at all costs, it could spell trouble for him. Only, Harper can't stay away from Levi he's everything she has dreamt off. He's powerful, strong and protective. He calls her Sunflower and takes care of her. He cooks for her, drives her to college and even buys her clothes. He's gorgeous, handsome, rugged and rides a motorbike. He's dangerous in so many ways but the hand of temptation is too much to resist.

In the coastal quiet of Baler, a studio is born—not of architecture, but of intention.* Founded by Yam, a poet whose words cradle pain gently, and Franc, an artist who paints tenderness into walls, the studio becomes a refuge for those learning to stay—with grief, love, longing, and themselves. As visitors arrive, they leave behind more than footprints: a sigh recorded in bamboo, a poem tucked into the “Found Letters” shelf, a mural painted in crooked lines. Through zines, tea, silence, and sketchbooks, the studio teaches softness as revolution. Ren creates the *Window of Soft Returns*, an installation of anonymous voice recordings—each whisper forming a community of echoes. Drew builds the *Staircase With No Wrong Turns*, inviting people to walk through emotions without shame. Franc offers brushstrokes as brave work, and Yam curates writing circles that map healing in half sentences. Together, they host festivals that feel like hugs, and they begin traveling their archive, letting softness cross oceans. Even those who once left—like Miguel—return, discovering that some doors never truly close. Others, like Tala, capture the studio’s sound and turn it into a podcast of breath and becoming. Over seventy chapters, the studio transforms into something larger than itself: a mural of memory, a sanctuary for second chances, a place where return is sacred and voice is proof of survival. In the final bloom, the studio stands not as a monument—but as a reminder: > *“Staying isn’t easy. > But chosen together, > it becomes home.”*

HAVE YOU EVER BEEN IN LOVE WITH SOMEONE OLDER THAN YOU? May pag asa ba? Umamin ka? Anong naging sagot niya? Kahit na kailan hindi naisip ni Hyiena na makakaramdam pa siya ng pagmamahal. she's obsessed with death and hurting herself. Mahal niya ang ulan,sapagkat Malaya itong pumapatak at tumutunog ng walang halong pag aalinlangan.Everything seems to be tiring for her, not until, one day. She met Ermir, a 35-year-old man who loves poetry.a man who's completely lost in life, full of regrets and nostalgia in his youth. All he can do is stare at the pouring rain that gives a nostalgia to him. Hyiena falls in love with him. he denies his feelings, but write hundreds of poem for her. Amir loves her, she's dedicated. but it feels so wrong. she left. he stayed,nanatili siya kahit hindi sigurado kung may babalik pa ba.,tinulak niya,para lang makaabante siya kahit ang ibig sabihin nito ay maiwan siya sa llikuran. Anong mangyayari sa kwento nilang dalawa?pinaglalayo ng oras at panahon Ng paniniwala at prinsipyo Ng kalooban at kaisipan Mali sa paningin ng iba,tama para sa mga puso nila. ‘’nagpapasalamat ako sakanya,sa taong tumulak saakin Sa pagtulak na ‘yon,kahit na masakit,atleast nakahakbang ako .naka abante ako Umusad ako,habang siya ay naiwan sa likod,katulad ng pag talikod sakanya ng panahon ‘’