Second Bloom
It has entries — each one a day or a week of being inside the thing — and the entries have been organizing themselves, gradually, the way the second life organized itself: not by design but by accumulation, each one finding its place in relation to the previous ones until the whole has a shape that could not have been planned but is exactly right.
She can see, at eighty-one entries, what the shape is.
The book is in four movements. Not parts — movements, the musical sense, each one with its own tempo and register but continuous with the others. The first movement: the first life, described from the inside at the distance of forty-four years. What it was to be that woman. Not the decisions —
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