Villa Angker Puncak

When I arrive at a villa to fulfill an order, the beautiful young woman living there looks at me expectantly, her face flushed. "Stop looking around—there aren't any dogs here. I'm the one you need to feed…" She changes into inviting lingerie and pins me to the couch. Her voice is coy, and her lips are soft. She parts them slightly and looks at me lovingly. "Remember to use all your strength to fill me up, okay? If you don't, I'll give you a bad rating…"

​Zwei Menschen. Ein verbotenes Grab aus Kalk und Pigmenten. Und eine Wahrheit, die tödlich ist. ​Die renommierte Restauratorin Isabella bekommt das Angebot ihres Lebens: In einer abgelegenen, prachtvollen Villa in Italien soll sie ein jahrhundertealtes Fresko freilegen. Doch schon bei ihrer Ankunft spürt sie, dass die Mauern der Villa mehr verbergen als nur alte Kunst. Ihr Auftraggeber, der unterkühlte und machtbesessene Enzo, kontrolliert jeden ihrer Handgriffe über ein Netz aus Kameras. Er ist ein Mann, der keine Fehler duldet und Gefühle als eine tödliche Schwäche betrachtet – eine Lektion, die er blutig lernen musste. ​Während Isabella Schicht für Schicht den alten Gips abträgt, stößt sie auf ein Geheimnis, das niemals das Tageslicht hätte sehen dürfen. Ein Auge starrt sie aus der Wand an – ein Zeuge eines Verbrechens, das Enzo um jeden Preis unter Verschluss halten will. Trotz seiner ausdrücklichen Warnung, nur das Auge freizulegen, treibt Isabellas unbezähmbare Neugier sie weiter. Unter ihrem Spachtel erscheint ein schreiender Mund, und mit ihm die Gewissheit: Dieses Fresko ist kein Kunstwerk, es ist ein Grabstein. ​Als der ehemalige Polizist Paolo Rossini vor den Toren der Villa auftaucht und Isabella vor dem Schicksal ihrer verschwundenen Vorgängerin warnt, muss sie sich entscheiden. Rossini bietet ihr die Flucht an, doch die dunkle Anziehungskraft zwischen ihr und Enzo ist längst zu einer gefährlichen Fessel geworden. ​Enzo merkt, dass er die Kontrolle verliert – über das Geheimnis, über sein Haus und über sich selbst. In der staubigen Stille des Ateliers prallen zwei Welten aufeinander: Isabellas Drang nach der Wahrheit und Enzos Wille, sie im Dunkeln zu lassen. Doch je näher sie sich kommen, desto klarer wird: Wer die Schichten der Vergangenheit freilegt, muss bereit sein, unter ihnen begraben zu werden. ​Die Wahrheit will gesehen werden. Doch manche Blicke überlebt man nicht.

Aku hanya manusia biasa yang punya hawa nafsu. Walau awal pernikahan ketigaku dengan seorang ABG hanya untuk menjalani program bayi tabung karena istriku tak punya rahim. Salahkah aku bila menyalahi janji karena mencintaiistri ketigaku dan ingin menyentuhnya. Gayungpun bersambut, ternyata istri beliaku juga mencintaiku. Bagaimana jika istri pertamaku tahu kalau kami saling mencintai dan sudah menyatukan dua raga dalam balutan puncak asmara.

Dia, sang protagonis, pernah berada di puncak sebagai penguasa dunia farmasi. Ia mati sendirian, dengan satu kebenaran yang menghancurkan: seluruh kekayaannya dibangun di atas pengorbanan istrinya. Lalu ia terbangun di tahun 1980. Muda. Miskin. Dan istrinya… masih mengandung anak mereka. Kesempatan kedua sudah ada di tangannya. Tapi satu pertanyaan tidak bisa dihindari: bisakah seseorang yang pernah menghancurkan keluarganya, benar-benar memperbaikinya?

The little boy I had saved when we were kids grew up to be a possessive, obsessive CEO. For ten years, he kept me by his side, using my grandmother's illness as a bargaining chip to force me into marrying him. He tried everything to win my heart, pulling every trick in the book, but no matter what he did, he could never make me love him. In a fit of rage, he found a woman who looked almost exactly like me to take my place. They flaunted their relationship for everyone to see, and people whispered that the CEO had finally found his true love. But that day, the woman, riding on his affection, barged into the villa with her entourage. She broke my fingers one by one, slashed my face with a utility knife, and removed my clothes to humiliate me. "Even though you had surgery to look like me, I'll let that slide. But you even learned to paint like me, too? You really did your homework. Let's see how you try to seduce men now!" Just as I was bleeding out and on the verge of death, the obsessive CEO finally showed up. The stand-in grabbed my hair and dragged me in front of him, smugly reporting, "Honey, this wench was hiding in the villa trying to seduce you. I've made sure she can't succeed!"

Ian Ludwig and I have grown more in sync in the eight years we have been married. I believe him when he lies to me that he's on a business trip, when in reality he's buying a villa for Francesca Yarrington, his childhood friend. He also believes me when I hand him a divorce agreement, saying that it is a property transfer agreement. There's still one month left in the cooling-off period before our divorce is finalized. That gives me just enough time to clear out everything from our eight years of marriage.

A dark and gloomy villa stood in the middle of the barren landscape, hidden from sight by a perched hedge. It was phenomenal and spectacular, but it makes it appear to have succumbed to a sullen and ominous atmosphere, both inside and out. A lanky hedge and gnarled shrubs give off the impression that the house has indeed been overlooked. The rainstorm seeping from the sewer pipes made the place appear miserable and dispirited. Needless to say, the house appeared razed to the ground and devoid of life. The house was made of rune stone that had been smeared darker in spots by downpours, sending it an insidious demeanor even during the day. The window frames were all padlocked and bricked up in steel frames and woods, as if what was inside would have been too grotesque to see, trying to give the impression that someone must have attempted to prevent something horrible from escaping. People have claimed that the residence was plagued by the witch who died there, but there has been no tangible evidence to substantiate their claims. It was even widely speculated that the villa was venomous and mowed down the leaves of trees that come into direct contact with its concrete pillars. People also construed a terrifying presumption that whoever tries to enter the house will never make it out alive because there is something inside that you would never dare to see with your very own eyes. Whatever was real or not, it was unmistakably foreshadowing, exponentially cold and savage at a hundredth of a thousand glances. A breathtaking doll sat competently on a rocking chair inside the house. Waiting complacently for someone brave and heroic enough to unravel the abominable and ghoulish mystery and paradox behind her enchanting, spine-chilling smile.

Yishu seharusnya mati karena kecelakaan setelah berpesta semalaman. Namun, Ia malah terbangun sebagai Lu Shuyi, tokoh perempuan gendut yang mati karena kebodohannya. Tidak ingin berakhir menyedihkan ia memutuskan mengubah takdirnya. Difitnah, diremehkan, dan hampir dihancurkan, ia tetap melawan. Saat kebenaran terungkap dan perceraian disahkan di depan raja, seluruh istana sadar bahwa perempuan gendut yang mereka hina adalah orang yang akan berdiri di puncak kekuasaan.

Christy had to do surrogacy for money, for a lot of money, for some reasons... She spent a turbulent night with a strange man in a strange villa for one, not one, many rounds of sexual intercourse, and eventually got pregnant. After giving birth to a twins of one boy and one girl and giving them away like agreed, her pain didn’t stop. She gave birth to another baby boy on the way back home. With overjoy, she kept the youngest son to herself and raised him by herself. Will she meet the other two babies of hers ever again? Will she meet the father of her three children ever again?

No one knows the secret romance of Van and Fatima, the eldest child of Della Villa, but there is no secret that cannot be revealed. Van's mother found out their secret which made her happy and accept it. But the reaction of the eldest son Gayrill, Van's brother was different . Fatima didn't quite know why Gayrill was so angry with her even then. Unbeknoqst to Fatima she took something from Garyrill, Gayrill wanted to be replace it un any way. He would like to see the tears in Fatima's eyes qhen he already took what she stole from Gayrill, claim it.